Sing It Again

Long term crazies who follow my blog, or Jenni's, might remember a song that appeared back in March 2009.

Shrewd readers of comments on said blogs might also remember it was never really finished.

Almost 18 months later, that problem has now been rectified with the unveiling of...

Jenni Jenni v2.1 (feat Diane Goodwin)

Yes, I convinced Diane to join in the fun for the first time in over a year.

So here we have the song & lyrics.  If you're especially crazy and want to download a copy, you can click the link above the song, which will take you over to music.davidgoodwin.com where you can also discover some of my other bizarro "musical" creations.

And send Jenni a punch in the gut.  Or neck. She likes punches there too, even if the song doesn't say so.

(Make sure you listen all the way to the end too)

 

I gave up on the idea of sleeping

Cos everyone is snoring and I've been weeping

The ear plugs I like they’re no longer making

I’m telling my friends to go to work naked

Oh what is wrong with me?

Don’t answer that cos it’s obviously just me

 

Chorus

(Jenni Jenni) I tell my friends they suck

(Jenni Jenni) And they should just shut up

(Jenni Jenni) While I joke about your mom

(Jenni Jenni) It’s just me here spreading the love

 

So don’t make me laugh when I am driving

Cos my eyes shut and we’ll soon be dying

At least that’ll stop the hyenas fighting

And adenoid removal is so inviting

I think today is just for me

But don’t tell Chance ‘cause he’s pumpin’ a grumpy at me

 

Chorus

 

Bridge

(bee boo baa boo bee baa beep)

“k-kaaa”

“your face is retarded”

“jerk”

"holla"

“I will cut you”

“that’s what she said”

...

“I need a pedicure”

"HOLLA"


I really really like the idea of sleeping

And maybe one day I’ll find it easy

But for now I’ve got all that I need

A whole lotta love ‘n my awesome family

And friends who really really see

That a punch in the gut is the same as a hug with me

 

Chorus

 

 

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iTunes & the Anal Retentive

There's a lot of music in my collection, but plenty of people have loads more than me.  At least, that's what I tell myself. When I worked in the music industry, my boss had every release across every format - 7" & 12" singles, 7", 10" & 12" EPs, LPs, cassettes, CDs, cassingles, minidiscs, didImissany? - to come out in Australia between 1969 and 1995, and since that was the year I was working for him, I'm guessing he has since accumulated plenty more.  With everything filed away in a special room around the size of most people's houses, carefully archived and everything easily found, all that was missing was a robot to fetch the desired item.  To describe him as anally retentive about who could enter that room would be vastly understating the facts. I'm also a little anal retentive about my iTunes collection.  The one that requires its own external HDD to manage so that our resource heavy software like Final Cut and CS4 don't get tooooo upset.  The one that sees me allocate songs to their correct source albums or singles (including tracking down accompanying artwork), even if I've acquired the tracks via compilation.  The one that I make sure sorts correctly by manually updating any 'auto' sort-field 'errors'.  Ok, so I'm a lot anal-retentive about this. Over at Christy's blog, she was doing a meme thingamy, and since one of my songs was in her list (!), I thought I'd do the same meme thingamy here, not realising one of my songs would also appear in my own list... I've also put some extra explanation stuff in there, because some of the categorisations are a little too constricting for me.  And I'm awesome so I can do that sort of thing. Here we go! iTunes Statistical Randomness Number of Songs = 19,683 Number of Albums = 4,699 Most Recently Played Song = His Glory Appears - Hillsong Live : Faith + Hope + Love Most Played Song = um...Your Clothes - David Goodwin; 32 plays. When I recorded this, I listened to it on my iPod all the time to check every detail. And I like it too. So there. Most Recently Added Album = Hillsong Live : Faith + Hope + Love First Song Alphabetically = A-Punk - Vampire Weekend Last Song Alphabetically = Zulu Khayalami - Imbizo Smallest Song Numerically = 0.000890569 - Aphex Twin Largest Song Numerically = 6161 - Max Tundra Shortest Song = Suite Outro - En Vogue, 4 seconds.   I've got over 200 tracks under 1 minute long, so I've taken this as shortest track rather than song... Longest Song = Ascension, Edition II - John Coltrane, 40 min 41 sec.  Free-style jazz FTW! First Album Alphabetically = A.O. Mod. TV. Vers - V.Spy V.Spy Last Album Alphabetically = Zooropa - U2 Smallest Album Numerically = #1 Record - Big Star Largest Album Numerically = 90125 - Yes First 5 Songs That Come Up In Shuffle = ...You're Not The Kind - Sarah Vaughan ...Amazing - George Michael ...You're Just Too Hip, Baby - Dave Graney 'n' the Coral Snakes ...Central Reservation (Ben Watt Remix) - Beth Orton ...Fly Too High - Janis Ian I was kinda embarrassed that in 5 songs, there's nothing that reflects my proclaimed passion for worship music. Then I did the stats. I've got nearly 20,000 tracks, and around 2,500 of them can be classified as Christian (mainly overtly Christian). So 1 track in 8 should be Christian. Meaning there's still 3 more tracks I have to redeem myself. Phew. There's not much electronica in that shuffle either (the Beth Orton remix barely qualifies) ... and according to the stats 1 in 7 should be electronica.  So we're OK.  Just. Other Semi-Interesting Tid-Bits Albums Titles Which Are Neither Alphabetical or Numerical = ( ) - Sigur Ros Song Titles Which Are (Kinda) Neither Alphabetical or Numerical = Þversögn - Sigur Ros, and also " µ-Ziq Theme " - µ-Ziq
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Album Review : Hillsong Live - Faith + Hope + Love

Warning : this is a wordy post.  I'm making up for not posting here very much lately with something I'm passionate about - worship music. Hillsong have been making live worship albums for 18 years, and while there's been lots of changes to the team in that time, a couple - like Darlene & Reuben - have been around for the vast majority of that time. They know what they're doing. But more importantly, God knows and honours what they're doing. It goes without saying that this album sounds amazing. My company provides some of the ancillary services for Hillsong's conferences and recordings, so I know a bit of what goes into these productions, and they are productions. Very. Big. Productions. This year, they decided to record the album across several locations and several weekends, including each of their Sydney church campuses + the Colour Conference, all in March. You'll likely be pleased as I was to find that only two of the tracks are found on the recent Hillsong United album Tear Down The Walls ("No Reason To Hide" and "You Hold Me Now"), so there's 11 brand new songs here.  Well, brand new if you haven't been hanging around Hillsong over the past year or so.
At Hillsong Conference this past week, we sang fewer songs from this new album than would usually be the case, but does that mean it's a weak album ? Not at all. In fact, even at this very early stage, it's one of my favourites.   In my opinion, their weakest patch began around a decade ago, but with each album since  2004 growing in quality and focus, they are at a new peak in album production. Note I said albums, not songs ... there has always been strong songs in the mix, and the last 3 Hillsong Live albums (Saviour King, This Is Our God, and now Faith + Hope + Love) contain consistently captivating praise and worship music, with thematic links, musical consistency**, and everything you want from Hillsong - energetic praise, anthemic worship, and those tender moments you can use for personal worship too.  Importantly in my opinion, these albums all utilise Hillsong's now familiar military breakbeat across a diverse range of worship songs.  It's a musical device I understand - there is something very special about a group of people, be it 20 or 20,000, coming as an army of worshippers before God. But what about the songs on this album? The album will be out in the USA in 3 weeks I think, and since that's where the vast majority of you, my readers, reside, you'll find out soon enough ... but for now, here's my opinion of the CD.  Note that the DVD is a different track order to allow logical flow based on the locations where the songs were recorded: 1. The First And The Last - a less anthemic opener than we've become used to from Hillsong, and nothing mind blowing, but a good congregational praise song. 2. For Your Name - Jad Gillies is leading a lot more often for the main church these days, and this is one of his best. I like the different feel that this song has (especially the sequenced pulsating backing). I'll definitely be using this in our church at some point. 3. Glow - the 3rd-track-mid-paced-big-song, 6/8 time works well for this, not to mention David Ware's soulful voice.  David opened the conference, and while the quality of his voice isn't shown at full effect in this song, he was the right choice to lead it. 4. It's Your Love - possibly Mia Fieldes' strongest song since All For Love, with a beautiful picture painted in the verse lyric, a catchy chorus, and Darlene taking us into the powerful bridge where the title resides. Not sure if I'll use it, but I will certainly worship to it myself. A lot. Especially the bridge/tag. 5. I Will Exalt You - Brooke shared the story for this song in the songwriting sessions, and it's a beautiful, gentle, intimate song. I'm an emotional worshipper, and just typing this is reminding me of how this song led me to a place I wasn't expecting at conference which involved tears. 6. Yahweh - a very Reuben song (and if you're familiar with Reuben's songs you'll know what to expect I think), we'll definitely be using this in our church. This is an anthemic 'set-closer'. And throughout the conference, this was one of the most loved songs by the delegates, all 22,000 of us, give or take. 7. No Reason To Hide - moving into the second half (Hillsong Live albums are almost always sequenced in 2 sets in case you'd not noticed that before), this is one of the songs on the United album, and it's one we'll be doing at church soon. Too. Much. Fun. It's a minute shorter than the United version, but the basic arrangement is identical. 8. God One And Only - with an opening riff that reminds me of Panic On by Madder Rose, this is a fun praise song, as everything JD leads is. We'll likely use this too. Matt Crocker (who I think is now around 21 - he must be, he's been writing with the team for 5 or 6 years now) has come up with most of the main riffs Hillsong have used in recent years. The stories he told in the songwriting sessions made me feel much better about my writing process ;) 9. The Wonder Of Your Love - a co-write between Leeland and Marty Sampson, this is the mid-paced-big-song of the second 'set'.  If there are any low-lights on the album, I guess this and track 12 get that gong. But that would be doing both songs a huge, huge disservice.  In reality, Hillsong have so many top writers, nothing bad gets on the albums these days. A sign of this - Ben Fielding, writer/co-writer of some of their best songs in recent years, such as This Is Our God, He Is Lord, Mighty To Save - doesn't have a single writing credit on this album, but he talked at the songwriting sessions and is still very active. 10. His Glory Appears - the shortest track, and one of my favourites on the album. Easily one of Darlene's best songs in years, having Brooke lead this was the perfect choice.  It's gorgeous, and I've been singing it to myself since I heard it. Very simple, it's just a single verse and chorus. Oh, and being a Darlene song...you can probably guess it's about the cross. And no bad thing either. 11. We The Redeemed - Jill McCloghry has a sweet voice, and I believe I'm right in saying this is her first time leading a song she wrote herself on a Hillsong album. I can see us using this song in our church; it fits well with who we are. It's got the military beat, it's got a simple, well-phrased melody, and good scope for ebb and flow in the arrangement. 12. We Will See Him - co-written by Reuben with Robert Fergusson, one of Hillsong's best preachers, the second pre-chorus - 'we'll see the fullness of His word, all of His promises revealed' really resonated with me leading into the last song on the album. Apart from that, it's a pleasant enough song. Very Reuben. 13. You Hold Me Now - a lot has been written about this song since its inclusion on the United album, so I won't rehash it. Easily the single most powerful song at the conference this year, Brian & Bobbie Houston have affectionately renamed this song "No More Bad Stuff". Amen to that. It's going to be a long time 'til I tire of listening to this album...at least partly because I don't listen to much music on repeat, but also because with our church album recording project ramping up, and my own personal stuff getting a look in as often as possible, I'm going to have to be very selective with listening. So, what would you recommend I listen to in coming months? ** Musical consistency (by genre) is something our own album is actually not going to have when it comes out later this year - it will reflect the diversity of our team, purely because we can't do 3 or 4 individual albums to fit each genre.  So I've got a big job to do to sequence it sensibly.  Pray for me. .
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Kondalilla

I've really been enjoying my walk down ChoralMemory Lane, and since it (tenuously) links in with my aim of mixing choral music with electronica, I've extended it to a third part. (I know - I'm really stretching the friendship aren't I...I might stretch it even further too.  So there.) This week I've posted just the one song (I can hear your sighs of relief), but have given you a little bit more information about the inspiration. Actually, that's a lie...all I've done is include this link to the beautiful part of Queensland that inspired this song. And to say that Diane and I also spent our first anniversary in a stunning resort that overlooked some of the beautiful sub-tropical rainforest that covers most of this amazing place. It all feels so long ago...and yet, as though no time has passed by at all. I enjoy living in a large city, being surrounded by hustle and bustle, hundreds of different cultures, cuisines, artistic expressions...the list of diversities is endless. But, kinda peversely, what I enjoy about it the most is how much more I appreciate the beauty of God's untouched creation. This "song", the third movement from Great Southern Spirits, as featured in my last choral post, and performed by Australian Voices, never fails to take me directly to Kondalilla National Park.  It is like going on sabbatical without ever physically leaving; instant refreshment, ready to take on world once more. A lot like meditating on the Word of God; certainly no replacement for that - just a wonderful accompaniment. It's an unconventional piece (as if you'd expect anything less), but truly evocative of the Australian bush.  Lyre birds, whip birds and bell birds can all be heard in the amazing female parts that form basis of this piece. I love it, and I hope there's something in there that you can appreciate to. Where does music take you?
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White Girl Rap

...with additional offenses by a white boy slacker...
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Songs, Hills and Hillsong

Um, actually, there's nothing in here at all about hills. Except to point out, if you didn't know, that Hillsong is so named because it's in the Hills District of Sydney.  It used to be called Hills Christian Life Centre.  The Hills district is also a little bit hilly. Anyway, back on track... A number of weeks ago I mentioned in a post that at some point I may talk about why we do so much Hillsong music at Harbourside.  I have also alluded to some of the reasons in the past as well, but today I'm going to lay them out for you...just to clear up any possible confusion... 5 Reasons why Harbourside Christian Life Centre use of a LOT of Hillsong music. 1. First and foremost, our Pastor loves them.  So do our people, though I'm generalising of course.  I love them too, though I can be even more specific and say that in general (?!), I love Reuben Morgan's and Brooke Fraser's songs the most. 2. We are part of the Australian Christian Churches, which is the 'new' name for the Assemblies of God in Australia.  Hillsong is the largest church in our denomination, and produces the most music (though Planetshakers aren't far behind). 3. While we are not Hillsong, or part of the Hillsong Network, we are (or have been*) open in 'marketing' our church as 'like Hillsong' when talking to people about what they can expect.  It therefore makes sense to include music by the only worship team to regularly have Top 5 albums in this country.  Come to think of it, unlike the US, they are just about the only Christian artist to have Top 100 albums period.  Excluding bands such as The Fray, of course. 4. Despite a lot of things I read about their music being difficult for congregations, our congregation love the weird timings and the lack of predictability (though being unpredictable can become predictable).  For instance, I am a fan of Chris Tomlin, but often I find his stuff quite safe (read: commercial).  There's nothing wrong with that.  I am Mr Commercial Pop.  But I'm also a little bit twisted and have very diverse tastes.  I prefer what a lot of other people do - like Jesus Culture, but even more than that, I prefer Kim Walker. Period.** 5. Finally, and probably most importantly, we are encouraged to bring our own music.  Music borne from the encounters we have with Christ on a daily basis.  That's why we're recording a worship album this year.  I'm producing it.  Our first studio session is this Saturday.  Yay! Who is your favourite worship artist?  Do you find it resonates with others too? * The reason I qualified that statement : we are moving away from where we have been, and becoming less programmed.  Hillsong may well be doing this too - the reasons given for some changes to the July conference are to allow more freedom for the Holy Spirit to move.  This excites me, so I'm even more keen than usual to be there. ** You may not be aware that the expression "period" doesn't get used in Australia.  We call that dot at the end of sentences a full stop.  It doesn't quite have the same ring to it.
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